Fabulous App All Journeys
At Bat offers two subscription options for its extensive premium features, covering live MLB games from Opening Day to the World Series. Yearly recurring fee of $19.99 Monthly recurring fee of $2.99 MLB.TV All Teams subscribers receive At Bat Premium features for free Access At Bat Premium for $2.99. The Fabulous is a simple yet beautiful scientific-based coach that helps you to reach your health and productivity goals.
‘Jammed with information about the workings and history of a long list of inventions.brings complex ideas alive in an interactive and modern way.’– The New York Times“.a marvellous, marvellous app.”– The GuardianPick up and play with some of the most extraordinary objects in the history of science and technology. This app brings to life priceless objects from the Science Museum in London and tells their stories.With Journeys of Invention you can study, rotate and even operate some of the most revolutionary scientific inventions of all time. Step inside the Apollo 10 Command Module, examine a flea with Robert Hooke’s 17th-century microscope, explore the Large Hadron Collider, or even encode a secret message with a World War II Enigma Machine and share it with your friends to decipher. The app features original and insightful history specially written by Science Museum curators with a rich collection of historic photographs, rarely seen contemporary artworks, archive film footage and video.This spectacular collection of museum gems is presented in a spell-binding interactive network of inventions, making it effortless to journey back and forth through time. Learn about the darker side of science on the ‘Dangerous’ journey. Choose ‘Horizons’ for dramatic tales of exploration. For a different take on the history of science and technology, try ‘Atoms and Rays’ or ‘The Secret of Life’.Created by experts from the Science Museum in partnership with Touch Press (the wizards behind acclaimed apps The Elements and Solar System), Journeys of Invention is a wonderful guide for anyone with an interest in science, technology and discovery.Love this app?
Don’t forget to rate it on the App Store.Reviews:“Writing as someone who has a visual impairment, I have always found myself removed from museum exhibits which are often behind glass and too small/detailed to appreciate from afar. As ever, Touch Press has used the glass to bring these items closer. Brilliant work!” User review“.an app for families to share and spend quality time with.” iPad Insight“Journeys of Invention is a great interactive learning tool that is beautifully designed” Mac Life.The Science Museum was founded in 1857 as part of the South Kensington Museum, and gained independence in 1909. Today the Museum is world renowned for its historic collections, awe-inspiring galleries and inspirational exhibitions. Find out more at www.sciencemuseum.org.uk/. FlyingSinger, Amazing science museum on an a iPad!This is a fabulous app for interactively exploring the history and workings of science and technology!
It's a shame that the app was apparently introduced as 'free' with in-app purchases. It must have really been just a very limited demo, requiring a purchase to unlock the full feature set. Such a preview is not a bad business model, but judging from the many one star reviews, people thought there should be more in the free version. Maybe some thought it was a game too - it's not, but it is a lot of fun!If you have ever enjoyed visiting a science museum, you will love this app. It's like one of those DK science books with amazing photos, but at $10, much cheaper and full of interactive and multimedia content. One of the best uses of iPad I have seen. HKD55, Really Great IdeaGreat idea but I hope you aren't finished yet, especially for 10 bucks.
There are lots of interesting items to peruse but I would really enjoy a more in-depth analysis of each item. Also, because this program originates in Britain and I am in the US, I see there is much 'British English' used in the text.
This is fine and may be eye-opening for some readers. However, when your writer did not call Henry Ford's most famous invention, The Assembly Line, by the proper name I began to hope I could trust the validity of what I was reading.
I guess that is what updates are for, eh? Also, it would be really nice on the iPad if the pictures could be swiped away. Andy Baird, Disappointingly shallowAs always with Touch Press, the implementation is polished, with some clever interactive bits (e.g., a focusable simulation of Hooke's microscope).
Unfortunately, the content is lacking in depth. For example, the entry on 'Human Wart Virus' mentions the use of an electron microscope-a key invention in many fields of science-but fails to say anything about how it works. Similarly, the entry 'Air Pump' shows an early version and describes its use in killing animals, but fails to say anything about how the pump operates.This app might pique the interest of a youngster, but he or she wouldn't learn much from it-it's more eye candy than enlightenment.
You may have seen with the video about using paint. Here are six of the finished pieces. I am calling them 'Splash', for lack of better skills at creating titles. To me they are landscapes, evoking various moods, places, natural features. #6 suggests to me the surface of the sun, or a warning about the earth's heating.To me, a little of this dripping goes a long way, so covering up a lot of the initial layers of drips was important to the process. Thanks for visiting. The above are available as.
I just added some other product options such as throw pillows, duvet covers, tote bags, etc., which you will see when you click the individual images on FAA. I am really drawn to work that is more spare than I can seem to manage. In several of my workshops this year I have had students working in this way. Maybe 'spare' is not quite the right word. Central cluster, breathing space around all four sides.
This is exactly what the app was meant to do, so we aptly named it Fabulous. From our icon to the onboarding and journey, etc., is full of exploding colors that. With all the new technologies like Machine Learning, AI, and wearables, it's a.
Here are just a few images of student work ('student' isn't quite the right word either, as these are all experienced artists)These are gel prints by, who is a sculptor.One of many 'studies' or 'starts' by.worked so fast and furiously in my workshop, I could not keep up with her! Fascinating to see her process, and the pieces definitely capture her loose, free, expressive style.These are studies done by Kate Webster, who kindly assisted me in Gloucester and at Omega. I just loved these bold and confident collages. She doesn't have a web site.
I am actually TAKING one of my own online workshops - 100 Drawings on Cheap Paper. It is actually a continuation of the one that began last August, for a small group of students who wanted to continue in a self-directed way. We have two-week blocks in which to make our own lesson, and then make ten pieces that address the parameters of that lesson. I am thinking of exploring this central cluster + breathing room for my next 'lesson', but I have to define it a little more clearly. I'm taking some time to play with the idea freely.Sixteen starts. This is the easy part. OK, here is a little video on some of the ways I use:And a few works in progress that make use of these techniques:Stage 1 (ground with High Flow spattered and dropped)Beginning to articulate the formContinuing in a landscape direction, still in process.
25 cm x 25 cmHere is the piece on which I used the water gun. In process, 25 cm x 25 cmThis is stage two or three: red ground, drip painting, then fog.Defining a horizonMaking it into landscape, possibly finishedAnother work in progress. I've licensed artwork to for calendars, journals, phone cases (any iPhone model) and tablet cases (again, choice of models). They are FUN! Nice thing about the calendars is that you can start on any month of the year.
You get all twelve months, but since they are print-on-demand, they can format them to suit. Now, of course, it's a good time to get a calendar for the year of 2017. There is a with twelve images, and a.This is the goofy cover of the.
The twelve images inside are of my work, not of me!This is the month of June. Many of us tend to work in series, whether intentionally or not. What I mean by 'series' is really just a group of piece that hang together in some way, be it thematically, or in terms of visual vocabulary or technique. Here is a video I did a couple of years ago about beginning a series:I am offering my workshop at in July. MISA is a new venue for me, and I am excited about it! Northern Wisconsin in July, studios open 24 hours, and housing and meals on campus.
Sounds like the perfect retreat!This is the one I worked on in the video. The next three are subsequent pieces in the same series. Working in series allows you to exploreideas more thoroughly, give them some breathing room. Working in series gives you theopportunity to try out different solutions to visual “problems”, andexplore multiple possibilities.
Working in series gives your artpractice focus and momentum. Rather than face the blank canvas withtoo many possibilities to choose from, the parameters of your seriescreate clarity of intention. By considering the series the basic unit of art making, you lose the preciousnessof the individual piece, the fear of “ruining” it, which can keep youstuck. Get un-stuck by working in multiples. Committing to a quantity of piecesallows you to push through blocks and discover new solutions.
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I've been fooling around with dripping paint onto my pieces, with various tools and from various distances. I am using paint, which is the consistency of ink, so you can really fling it around. I am also experimenting with mixed with and other Golden mediums.
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I haven't come up with specific formulas or recipes yet, but if I do, I will certainly share. Another interesting variable is to drip the paint into a coat of wet medium.
For example, I brush a coat of mixed with a little water onto the panel, and drip paint into it. Is another good option.This is the upper left portion of a 20'x20' panel. After experimenting with dripping, as describe above, I did a little squeeze-bottle drawing in white.This started with the bright colors and dripped High Flow paint, and water. The white area with green drips is the new experiment.Then, of course, I covered up most of the painting.And more.This is where it is now; I added more of the white with drips and spatters. I think I'll have to start with another bright-colors-with-drips, and see what else I can do with that kind of beginning.This is a portion of an 18'x24' canvas, in process.More experiments, this one on paper, done over a work-in-process or demo piece.Ditto the above.Thanks for visiting!
When I figure out some specifics on this I will do a little video and share. In the meantime, I'm just fooling around with this stuff.
I urge you to do the same, if it interests you.